Second Mason Bay trip. April 2-16th

This trip I concentrated on making. Here are some examples of what I made.

This is a reconstruction of a soapstone karanga manu that was found on Rarotoka (Centre Island) in Foveaux Strait. The original is in Otago Museum (D31.760). I followed the same method of construction as the karanga manu I made on the first trip and used nails I found in the Homestead workshop for the relief carving. It's about 7cm long. Thanks to Rob Thorne for the use of his notes on this taoka.

The above instrument is a tōkere pipi. The pikao loops go over the fingers and the instrument is played much like a castenet. The pikao is from the Big Sandhill and the shells from Martin Creek. Im unsure if this was played in the South, but Ive always wanted to make some. There is a wooden example in Auckland Museum. They sound 'chattery', a bit like some of the Oyster Catchers around Mason Bay.

This is a pōrutu rākau tutu. It is cross blown from the far end and has three different tone centers. I split the wood, chiseled out the pitch and bound with some twine. It plays well.

I used the below hand/twist drill to drill the holes in the above porutu toroa. The drill stem is made from mānuka with pakohe/argellite drill points. Its takes about 4 mins to drill one wenewene hole in the toroa wing bone.

Paketekete was a bow and arrow remembered as being used as a toy by children in Riverton/Murihiku. It is possible the paketekete was also played as a mouth harp in a similar manner to the ku further north. This one is made from supple jack, fishing line, and toroa wing bone striker and toggle.

here is a link to some audio. I had a 'sound interaction' with some bellbirds with the above kōauau on the path to the beach.

bellbirds and koauau

I made this kōauau putiputi harakeke on my first trip...thought it was worth a mention. I poked out the inside with a metal rod I found in the Homestead workshop and burned out the inside a little to make it smooth and play well.

This barnicle was found on the beach at Masons and works well as a bird caller emitting quite high pitch sounds when played across the top.

This pūtōrino is made from rakau tutu, a larger woodier tutu. It plays very well. The word pūtōrino is used to describe a traditional instrument by southern sources in Beattie, but their description of the instrument varies with the northern pūtōrino which is what this example is modeled on. 

The above kōauau is made from sea lion. Thanks to Mike Hilton for finding the bone for me. 

I will post more soon!

Al

Tuwiri used to make karanga manu. Mason Bay Rakiura Wild Creations residency trip 1

I recently spent a couple of weeks on Rakiura/Stewart Island as part of a six week DOC/CNZ Wild Creations residency which will be spent researching southern Maori musical instrument possibilities, gathering materials, making instruments and then recording them on location around Rakiura. I will also be making reconstructions of Maori musical instruments found in museum collections that have providence from Murihiku (Otago), Ruaumogo (Fiordland) and Rakiura.

My first day on Stewart Island was spent at Oban where I took a trip out to Ulva Island bird sanctuary. I found some Neptunes Necklace seaweed pods that can be played as karanga manu (bird callers) and found that the local fantails were pretty interested in the sounds produced.

Next day I flew by helicopter to Hill Homestead at Mason Bay where I was to spend the next 11 days, gathering materials, making instruments and recording.

Workshop to the left, Homestead to the right. 

First on my list of things to do was to make a tuwiri (traditional Maori drill). I found a straight manuka stick and built four cross bars from inanga wood. I used a piece of vine to create a hoop that lies on the cross bar and provides momentum and balance to the tuwiri. I bound these parts together with twine. At first I experimented making pakohe (argillite) drill bits using a grossularite garnet hammer stone, with average success. I had better luck using quartz that I found on a granite outcrop behind Hill Homestead.

Granite outcrop on Big Sandhill. Mt Rakaeahua is on the right in the background

I kept on experimenting, drilling some soapstone using the tuwiri, with the aim of making a replica of a karanga manu (bird caller) in Otago Museums’ collection found at Glenorchy near Queenstown. I got some pretty good holes fairly quickly and then shaped the outside of the karanga manu using a flat granite grind stone.

This is the finished karanga manu.

I also made quite a few instruments from found objects, mostly found on the beach. I was lucky enough to find a Mollymawk Albatross from which I made this kōauau (flute). The criss-cross incision marks are very common on southern koauau toroa and also on many bird bone toggles.

And this shell worked well as a koauau. As you can see I have removed the spiral end of the shell.

Poroporo has a pith as so makes a good kōauau material, easily bored out by pushing out the pith.

I visited Mason Bay Beach every second day or so to see what had been washed up, and the variety from day to day was note worthy. One day it was mostly wood, the next kelp, another it was birds.

I did some preliminary experiments making instruments with kelp. I have left some koauau and a trumpet experiment to dry over the next month. Hopefully they will give me some results when I return.


I was lucky enough to get hold of some pūnui (būnui southern dialect) that is very rare on Rakiura and only found in private gardens. It is common on the offshore islands and was used to inflate the poha bags used to store mutton birds. As it is hollow it is possible to easily make a kōauau from pūnui and when talking to Phillip Smith, a local mutton birder among other things, he said they used to make flutes from it as children. He warned that pūnui can have laxative properties if played as a kōauau too much! 

I’m off back to Rakiura the first two weeks of April so I will keep you posted what I make next!
Alistair